artinliverpool.com

Jad Fair : Automatic Vaudeville
29 August – 13 September 2009 (Thur – Sun 1-6pm)
Red Wire Gallery is delighted to announce the first U.K solo exhibition by acclaimed and increasingly influential American artist and musician, Jad Fair.  

'Apocalypse Now'
25 July - 8 August (Thu - Sun 1pm - 6pm)
Apocalypse Now will reflect on interpretations of the meaning of an Apocalypse today, and bring together artists from the U.K whose work deals with Apocalyptic themes, from a very contemporary viewpoint to reflect on a very human dilemma.

Pencil It In
Friday 8 May 2009, 18.30 - 22.00 (One night only)
Our exhibition season begins on May 8th with Pencil it in - a drawing exhibition featuring a whole host of drawing styles by Sam Savage, George Barker, Hamish McLain, Paddy Gould, Amy Goring, Roxy Topia, Mike Aitken, Joe Mcnulty and Gabriel Stones.

Friday 21st November 2008 19.00 at Red Wire. COMING SOON - Live performance by Giles Bailey and Jens Strandberg (also, your last chance to see Slowness)

COMING SOON is a two part art work. It takes the form of a poster (one of the works that featured in Slowness) and a performance.

'Slowness' 15th- 21st November 2008 Thur-Sun 12-18.00
Featuring live work from Hanna Tuulikki in collaboration with James Lee and Laura Cooper.
Six International Artists working with Video and Live Art.

Daniel Johnston: Fear Yourself. Exhibition 18 October - 2 November 2008
Cult American musician and artist Daniel Johnston exhibits work which sheds light on his own universe

North by North West: Soup vs Peripheral. Exhibition 25 September - 16 October 2008
Collaboration between staff from Tate Liverpool, and the Henry Moore Institute Leeds.
Artists: Mike Aitken, Steve Ashton, Alice Roberts, Stephen White, Nick Williams all from SOUP, and Peripheral artists from Leeds

Milk, Two Sugars present YOUR ART SHOW. "Probably the best thing that will ever happen."
Exhibition June 20 to July 4 2008

The visual zinesters creators present their first Liverpool solo show, a mix of comic humour and audience participation while questioning the nature of authorship, commodities, ownership and creation of artwork.